Past Exhibition – 24 October – 9 November 2019

Produced between 2000 and 2018, the works reflect different stages in Daniel Balanescu’s quest for what it means to be human. Playing with different techniques, from fire drawing on train tickets to acrylic on canvas, screen-printing collage or rongalit C painting on viscose, Daniel Balanescu captures the diversity of ourselves in contexts we cannot control.

He is preoccupied by the relationship arising between patterns and crowds, by transitions and social entropy. He used a variety of techniques to articulate the tension of a lone reflective being forced along by the movement of the swarm.

Produced between 2000 and 2018, the works reflect different stages in Daniel Balanescu’s quest for what it means to be human. Playing with different techniques, from fire drawing on train tickets to acrylic on canvas, screen-printing collage or rongalit C painting on viscose, Daniel Balanescu captures the diversity of ourselves in contexts we cannot control.

 He is preoccupied by the relationship arising between patterns and crowds, by transitions and social entropy. He used a variety of techniques to articulate the tension of a lone reflective being forced along by the movement of the swarm.

He had personal exhibitions or was part of group exhibitions in Paris, Luxembourg (at the National Theatre), Bucharest Aiurart Gallery, Lavacow international auction house, Paris (at 59, Rivoli), Esto No Es Una Galeria – Bogota, was in residence in International Environmental Art Symposium – Gallikos river and has works in MCBA Minnesota Centre for Book Arts-Minneapolis and in private collections in England, Austria, Luxembourg, France, Germany, Belgium, USA, Mexic.